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  • Streaming Music : Practices, Media, Cultures
    Streaming Music : Practices, Media, Cultures

    Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

    Price: 43.99 £ | Shipping*: 0.00 £
  • Streaming Music, Streaming Capital
    Streaming Music, Streaming Capital

    In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms.Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics.Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism.Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource.By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Media Disrupted : Surviving Pirates, Cannibals, and Streaming Wars
    Media Disrupted : Surviving Pirates, Cannibals, and Streaming Wars


    Price: 23.00 £ | Shipping*: 3.99 £
  • Streaming, Sharing, Stealing : Big Data and the Future of Entertainment
    Streaming, Sharing, Stealing : Big Data and the Future of Entertainment

    How big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. "[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it.Their book should be required for anyone who wishes to believe that nothing much has changed."-The Wall Street Journal"Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires."-Financial TimesTraditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week.But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice.In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries-and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music.We're living through a period of unprecedented technological disruption in the entertainment industries.Just about everything is affected: pricing, production, distribution, piracy.Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content.To survive and succeed, businesses have to adapt rapidly and creatively.Smith and Telang explain how. How can companies discover who their customers are, what they want, and how much they are willing to pay for it?Data. The entertainment industries, must learn to play a little "moneyball." The bottom line: follow the data.

    Price: 17.99 £ | Shipping*: 3.99 £
  • How can streaming strengthen the community?

    Streaming can strengthen the community by providing a platform for people to connect and engage with each other over shared interests. It allows individuals to come together virtually, regardless of physical location, to participate in live events, discussions, and activities. Streaming also promotes collaboration and interaction among community members, fostering a sense of belonging and unity. Additionally, it can amplify voices and perspectives that may not have been heard otherwise, creating a more inclusive and diverse community.

  • What is the difference between streaming sites and file sharing platforms?

    Streaming sites allow users to access and watch content directly from the internet without having to download the files onto their device. On the other hand, file sharing platforms enable users to upload and share files with others, allowing them to download and save the content onto their own devices. While streaming sites provide immediate access to content, file sharing platforms allow for the distribution of files among users.

  • Are there any negative aspects or counterarguments against streaming media?

    While streaming media offers convenience and accessibility, there are some negative aspects to consider. One concern is the potential for increased screen time and sedentary behavior, which can have negative impacts on physical health. Additionally, reliance on streaming services can lead to a lack of ownership of content and potential issues with data privacy and security. Lastly, the cost of multiple streaming subscriptions can add up and may not be financially sustainable for some individuals.

  • Which streaming provider is the best for music streaming?

    The best streaming provider for music streaming can vary depending on individual preferences and needs. Some popular options include Spotify, Apple Music, and Amazon Music. Spotify is known for its extensive music library, personalized playlists, and user-friendly interface. Apple Music is favored for its seamless integration with Apple devices and exclusive content. Amazon Music offers a wide selection of music, including access to a large library of songs for Amazon Prime members. Ultimately, the best streaming provider for music streaming will depend on factors such as music preferences, device compatibility, and additional features desired.

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  • Streaming Media and Cultural Memory in a Postdigital Society
    Streaming Media and Cultural Memory in a Postdigital Society

    This book offers a relevant contribution to the studies of streaming media and transmediality with an original approach of cultural sustainability perfectly intertwined with cultural memory beyond borders. By critically reflecting on popular streaming media series, the book identifies their impact on the global circulation of cultural memory, their learning potential for educational purposes, and the societal challenges and opportunities that emerge from the ubiquitous streaming media penetration and potential for participatory practices.It also investigates how series available worldwide on commercial platforms such as Netflix and HBO Max contribute to the global circulation of cultural memories, in addition to illuminating the ethical, (un)sustainable and educational concerns involved in the fictionalization of the past. Drawing on the authors’ expertise in media studies and history, this transdisciplinary book will interest scholars in the fields of media studies, cultural studies, memory studies, history, transmedia studies, education, post-digital studies, television studies, social communication, sociology and philosophy.

    Price: 135.00 £ | Shipping*: 0.00 £
  • Sports Media Rights in the Age of Streaming and Platformisation
    Sports Media Rights in the Age of Streaming and Platformisation

    Against a backdrop of increased online distribution of media, this book provides an in-depth analysis of how the platformisation of television is both shaping and being shaped by the changing sports media market. Beginning by looking at the business models and strategies of the major stakeholders involved in the ‘sports broadcasting value chain’, the authors go on to focus on the challenges and opportunities posed by the growth of OTT delivery for the regulation of sports broadcasting in several key areas, including copyright law and piracy; competition issues linked to the buying, selling and distribution of premium sports content; and legislation designed to safeguard coverage of certain national and international sporting events for free-to-air television.Key areas of continuity, such as the persistence of national/regional markets; the importance attached to premium sports rights by rival delivery platforms as a source of ‘market power’; and the need to update key areas of policy and regulation in order to address challenges posed by the use of OTT delivery, are also discussed.This book makes use of a range of international and regional examples and case studies, not least the Olympic Games and the FIFA World Cup, and identifies different strategies employed in the buying, selling and distribution of sports rights for all major parties in the sports media value chain, including new entrant OTT players, traditional pay-TV operators, public service broadcasters, and a range of international sports organizations. Providing a complete assessment of the relevance and future effectiveness of key areas of policy and regulation in sports media distribution, this book is recommended reading for advanced students and researchers of Sports Media, Sports Management, and Media Industries.

    Price: 135.00 £ | Shipping*: 0.00 £
  • Sports Media Rights in the Age of Streaming and Platformisation
    Sports Media Rights in the Age of Streaming and Platformisation

    Against a backdrop of increased online distribution of media, this book provides an in-depth analysis of how the platformisation of television is both shaping and being shaped by the changing sports media market. Beginning by looking at the business models and strategies of the major stakeholders involved in the ‘sports broadcasting value chain’, the authors go on to focus on the challenges and opportunities posed by the growth of OTT delivery for the regulation of sports broadcasting in several key areas, including copyright law and piracy; competition issues linked to the buying, selling and distribution of premium sports content; and legislation designed to safeguard coverage of certain national and international sporting events for free-to-air television.Key areas of continuity, such as the persistence of national/regional markets; the importance attached to premium sports rights by rival delivery platforms as a source of ‘market power’; and the need to update key areas of policy and regulation in order to address challenges posed by the use of OTT delivery, are also discussed.This book makes use of a range of international and regional examples and case studies, not least the Olympic Games and the FIFA World Cup, and identifies different strategies employed in the buying, selling and distribution of sports rights for all major parties in the sports media value chain, including new entrant OTT players, traditional pay-TV operators, public service broadcasters, and a range of international sports organizations. Providing a complete assessment of the relevance and future effectiveness of key areas of policy and regulation in sports media distribution, this book is recommended reading for advanced students and researchers of Sports Media, Sports Management, and Media Industries.

    Price: 36.99 £ | Shipping*: 0.00 £
  • Before Streaming Music
    Before Streaming Music

    Travel back in time to find out what life was like before streaming music.Historical photographs, helpful infographics, and a “Blast from the Past” special feature provide readers an engaging overview of records, cassette tapes, and other ways people listened to their favorite tunes.

    Price: 10.99 £ | Shipping*: 3.99 £
  • Is streaming dangerous?

    Streaming itself is not inherently dangerous, but there are potential risks associated with it. For example, streaming platforms can expose users to inappropriate content, cyberbullying, and online predators. Additionally, streaming can also lead to excessive screen time and potential negative effects on mental and physical health. It's important for users, especially young people, to be aware of these risks and take steps to protect themselves while streaming. This can include using parental controls, being cautious about sharing personal information, and taking regular breaks from screen time.

  • Are there any negative aspects or counter-arguments against streaming media?

    Yes, there are some negative aspects and counter-arguments against streaming media. One concern is the potential for increased screen time and sedentary behavior, which can have negative effects on physical health. Additionally, streaming services can contribute to a culture of instant gratification and impatience, as viewers become accustomed to binge-watching entire seasons of shows in one sitting. There are also concerns about the environmental impact of streaming, as it requires significant energy and resources to power data centers and deliver content over the internet. Lastly, some argue that the rise of streaming services has led to the decline of traditional media industries, such as movie theaters and physical media sales.

  • Is it worth getting a streaming and gaming PC for streaming?

    Yes, it can be worth getting a streaming and gaming PC for streaming if you are serious about creating high-quality content and building a dedicated audience. A streaming and gaming PC will allow you to play and stream high-end games with smooth performance, as well as handle the resource-intensive task of streaming without impacting your gameplay. Additionally, having a dedicated streaming PC can help improve the overall quality of your streams by offloading the encoding and streaming tasks from your gaming PC, resulting in a better experience for your viewers. However, it's important to consider your budget and the level of commitment you have to streaming before making this investment.

  • Can streaming be traced?

    Yes, streaming can be traced. When you stream content online, your internet service provider (ISP) can track the data being sent and received. Additionally, streaming services often collect data on users' viewing habits and preferences. This data can be used for various purposes such as targeted advertising or content recommendations.

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