Products related to Representation:
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Image and Representation : Key Concepts in Media Studies
Image and Representation 2e is a clear and straight-talking introduction to two of the most important concepts in film and media studies.Exploring media language and representation throughout a variety of visual texts, the book offers a balanced, in-depth guide to the essential theories and key issues.The book begins by introducing the basic components of image analysis, including mise en scene, framing and anchorage.It then elaborates on these key ideas to provide the reader with a more advanced understanding of media language and representation.From the contribution of semiotics and debates around authorial intent, to ideas about hegemony and issues around propaganda, Nick Lacey offers approachable explanations of complex ideas and terms.The new edition is also now updated to reflect recent changes in the field, with particular attention paid to new media technologies.Each chapter is packed with memorable examples from a wider range of media and provides greater global perspective on today's media landscape.Gradually building up the reader's knowledge to encourage independent thinking, this is an essential resource for students taking courses in media, cultural, communication and film studies at school, college or university.
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Architecture, Media, Populism… and Violence : Reification and Representation II
The ‘Storming of the Capitol’ was, for many, the culminating media performance of the four-year presidency of Donald Trump.His presidency and its ‘final act’, bore all the hallmarks of a 21st century form of populism and media-politico spectacle that may yet come to dominate the political scene in the US, and worldwide, for years to come.The questions that such events raise are complex, varied and operative across a multitude of disciplines.This book engages with these vexed questions in the broad fields of politics and media, but does so, uniquely, through the prism of architecture.This book does not, however, limit its view to the recent events in Washington DC or the United States.Rather, it seeks to use those events as the starting point for a critique of architecture in the tapestry of mediated forms of protest and ‘political action’ more generally.Each chapter draws on case studies from across timeframes and across nations. The book sharpens our critique of the relationship between direct political action, its media representation and the role it assigns to architecture – as played out globally in the age of mass media.In doing so, it opens up broader debates about the past, present and future roles of architecture as a political tool in the context of international political systems now dominated by changing and unpredictable uses of media, and characterised by an increasingly volatile and at times violent form of political activism.It is essential reading for any student or researcher engaging with these questions.
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Architecture, Media, Populism… and Violence : Reification and Representation II
The ‘Storming of the Capitol’ was, for many, the culminating media performance of the four-year presidency of Donald Trump.His presidency and its ‘final act’, bore all the hallmarks of a 21st century form of populism and media-politico spectacle that may yet come to dominate the political scene in the US, and worldwide, for years to come.The questions that such events raise are complex, varied and operative across a multitude of disciplines.This book engages with these vexed questions in the broad fields of politics and media, but does so, uniquely, through the prism of architecture.This book does not, however, limit its view to the recent events in Washington DC or the United States.Rather, it seeks to use those events as the starting point for a critique of architecture in the tapestry of mediated forms of protest and ‘political action’ more generally.Each chapter draws on case studies from across timeframes and across nations. The book sharpens our critique of the relationship between direct political action, its media representation and the role it assigns to architecture – as played out globally in the age of mass media.In doing so, it opens up broader debates about the past, present and future roles of architecture as a political tool in the context of international political systems now dominated by changing and unpredictable uses of media, and characterised by an increasingly volatile and at times violent form of political activism.It is essential reading for any student or researcher engaging with these questions.
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Women, Media, and Elections : Representation and Marginalization in British Politics
In the century since women were first eligible to stand and vote in British general elections, they have relied on news media to represent their political perspectives in the public realm.This book provides a systematic analysis of electoral coverage by charting how women candidates, voters, politicians' spouses, and party leaders have been portrayed in newspapers since 1918.The result is a fascinating account of both continuity and change in the position of women in British politics.The book demonstrates that for women to be effectively represented in the political domain, they must also be effectively represented in the public discussion of politics that takes place in the media.
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What is the polar representation of a Cartesian representation?
The polar representation of a Cartesian representation is a way of expressing a point in the Cartesian plane using polar coordinates. In the polar representation, a point is described by its distance from the origin (r) and the angle it makes with the positive x-axis (θ). This is in contrast to the Cartesian representation, which describes a point using its x and y coordinates. The polar representation provides a different way of understanding and visualizing points in the plane, and it can be useful in certain mathematical and scientific contexts.
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Which representation method?
The representation method that should be used depends on the specific data being analyzed and the goals of the analysis. For categorical data, bar graphs or pie charts are commonly used to show the distribution of different categories. For numerical data, histograms or box plots can be used to visualize the distribution and central tendency of the data. Scatter plots are useful for showing the relationship between two numerical variables. Ultimately, the best representation method is one that effectively communicates the key insights from the data in a clear and concise manner.
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What is the linear factor representation and the polynomial representation?
The linear factor representation of a polynomial is a way of expressing the polynomial as a product of linear factors. For example, the linear factor representation of the polynomial x^2 - 4 is (x-2)(x+2). This representation helps in finding the roots of the polynomial. The polynomial representation is the standard way of expressing a polynomial as a sum of terms, each containing a variable raised to a power. For example, the polynomial representation of x^2 - 4 is x^2 - 4. This representation helps in performing operations like addition, subtraction, multiplication, and division of polynomials.
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Is the standard representation the same as the exponential representation?
No, the standard representation and the exponential representation are not the same. The standard representation of a number is typically in the form of a decimal or fraction, while the exponential representation is in the form of a number raised to a power. For example, the standard representation of 100 is simply "100," while the exponential representation is "10^2." These two representations convey the same value but are written in different forms.
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Film, Media and Representation in Postcolonial South Asia : Beyond Partition
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia.Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971.Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media.The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region.This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
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Film, Media and Representation in Postcolonial South Asia : Beyond Partition
This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia.Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971.Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media.The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region.This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.
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Multiple Representation Dice
Young learners will be on a roll with numbers and number sense with these Multiple Representation Dice. This set of 16 dice feature 4 different ways to represent a number, to support childrens learning of number sense. Includes 10 frames, base 10,
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Deflating Mental Representation
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What is interest representation?
Interest representation refers to the process of advocating for the interests and concerns of a particular group or organization to policymakers, government officials, or other decision-makers. This can involve lobbying, public relations, and other forms of communication to influence policy decisions in favor of the represented group. Interest representation is a key component of democratic societies, as it allows for diverse voices and perspectives to be heard in the policymaking process. It is often carried out by professional lobbyists, advocacy groups, trade associations, and other organizations that work on behalf of their members or constituents.
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What are representation matrices?
Representation matrices are matrices that represent linear transformations or operators. They are used to represent the action of a linear transformation on a vector space. The elements of the representation matrix correspond to the coefficients of the linear combination of the basis vectors of the vector space. By using representation matrices, we can easily perform operations such as composition of linear transformations and finding the inverse of a linear transformation.
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What is the correct grammatical representation of the term fixed-point representation?
The correct grammatical representation of the term fixed-point representation is a compound noun. In this term, "fixed-point" acts as an adjective describing the type of representation being discussed. The hyphen between "fixed" and "point" indicates that these two words are functioning together as a single unit modifying the noun "representation." This grammatical structure helps clarify that the representation being referred to is specifically of the fixed-point type.
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Is the representation of the population cross-section in the media sufficient?
The representation of the population cross-section in the media is often not sufficient. Many media outlets lack diversity in their portrayal of different races, ethnicities, genders, sexual orientations, and abilities. This lack of representation can lead to the perpetuation of stereotypes and the marginalization of certain groups. It is important for the media to accurately reflect the diversity of the population in order to provide a more inclusive and representative portrayal of society.
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